Showing posts with label 11x14. Show all posts
Showing posts with label 11x14. Show all posts

Friday, August 14, 2009

Inspirations #12: Walker Evans and Eleven:Fourteen


Tin Building, Moundville, AL, 1936 by Walker Evans

I remember the first time I saw this image at the Witkin Gallery in New York back in the Early 1980s. The tones and unending vertical lines mesmerized me. I wish I had the few hundred dollars it cost to buy an original (not Library of Congress) print back then, but fresh out of college equals fresh out of money!

Walker Evans did a substantial amount of work in Moundville, Alabama back in 1936 for the Farm Security Administration enacted by FDR during the Great Depression. There are so many great photographs from this town it would be interesting to go back and see what it is like now. It would be even better if the current administration would fund it, but of course, they find it more important to spend unGodly amounts of money elsewhere.

William Christenberry did just that in the 1960s through the 1980s. He grew up near the area and became fascinated and inspired by Evans' work capturing the "ordinary" scenes in rural Alabama. This work eventually became a traveling exhibit, a book, Of Time & Place, and even was interpreted by Christenberry as sculpture. If you can find the book, published by the Friends of Photography, pick one up - it's a good read. I have a copy in my library.


Rick's Hitch Works, Phoenix, AZ, 2009 by Richard M. Coda

On many of my Sunday morning photo jaunts I would pass this place on Van Buren Ave. at 20th Street in Phoenix. Unfortunately, behind chain link fence, barbed wire and dogs, this place was never open. In late May 2008 the light was perfect... the sun was in front of the building and early in the morning it raked across the corrugated aluminum facade perfectly. I desperately tried calling to see if I could get permission to photograph the building, but no one ever answered or returned my message. I marked it down in my calendar to try again in one year, May 2009.

I happened to be in the area on a Saturday after I dropped my daughter off at her art class and noticed that the gate was opened. I had the cameras and I was ready. I went in where it says "Office". There was nothing but junk in there. I came out and went into one of the other businesses that share the parking lot. There was this old guy sitting at a computer, smoking a cigar and surrounded by dogs. I asked him nicely if I could photograph the building, explaining my big cameras and all. He wondered why I would want to take a photograph of that "old thing". He mentioned they had been thinking of tearing it down to make more room. Thankfully, he allowed me to photograph it.

I used the 11x14" camera on this and the contact print is just beautiful with creamy light tones and the beautiful vertical shadows. I am very happy I was able to make this image before Rick's disappears into history, just as Moundville has.

Eleven:Fourteen - I'm Soooo Tired...

...I haven't slept a wink (John Lennon, The White Album by The Beatles)


Tires, Phoenix, AZ, 2009 by Richard M. Coda

I haven't slept a wink since I printed this new 11x14" negative!

I saw this on one of my Sunday morning photo runs a couple of months ago. I had passed it one morning but did not have the 11x14" camera with me. Went back the next weekend with a friend and photographed it.

As soon as I saw it I knew it had to be taken on the 11x14. It was a wall of old tires, about 10 feet tall and maybe 150 feet long, lining an alley near Broadway and 7th Street in Phoenix. I found the lines fascinating. And the deep, dark tones highlighted by the faded rubber and occasional white paint sealed the deal.

The detail in this simple image is amazing. 154 square inches of film (assuming a native film resolution of 5000 dpi) means that there's 3.85 GIGABYTES of information in an 11x14 negative. This little digicam snap of the print does not do it justice.

I'm finding that size DOES count. After using my 4x5" most of the time from the early 1980s until a few years ago, I had recently standardized on 8x10". Since getting the 11x14" camera I find I want to use it most of the time, but economics dictate otherwise!

I'll have another new 11x14" contact print to post this weekend as part of another Inspirations post.

Monday, July 13, 2009

Eleven:Fourteen


Mural, Superior, AZ, 2009, 11x14" silver gelatin contact print, Richard M. Coda

My first 11x14" contact print! The detail in this image is incredible and clearly cannot be appreciated in this web scan.

I really like working with this format. It's a little cumbersome when exposing the negative, but everything after that is standard operating procedure. I process the negatives one at a time (for now) in a Jobo 3062 drum with no insert, using one liter of chemistry per sheet. The negatives themselves are something to behold. I remember when Randy Efros showed us one of Brett Weston's 11x14 negatives... all I could think of was making my own. Last week I printed my next two 11x14" images. Once I dry-mount them I will photograph them and post them here.

I plan on selling my 11x14" contact prints as limited editions of 14 with 3 artist's proofs. Pricing will start at $400 ($200 below my regular price for 11x14" enlargements) for the first four prints. Prints 5-10 will be $500 and the last five prints will be $750. Buying early in the edition is encouraged.

These images may also end up in portfolios of 11x14" contact prints at a later date, but they will be denoted as such.

Sunday, April 26, 2009

Another Superior photograph...

... from my friend Tiffany Pacileo!



Taken on our recent trip to Miami, Tiffany was at the ready when I broke out my 11x14" camera for the first time. Thanks Tiffany!

Visit her websites at Paint My Vacation and City Sites Photo Art.

Tuesday, February 24, 2009

11x14 - Super, man... in Superior


We had a class field trip this past weekend. Started out in Superior for breakfast at the Buckboard Cafe... That's Picasso, I mean Eddie Patelson having his usual pie with ice cream dessert AFTER breakfast! What a guy!



After breakfast we went to Miami... not THAT Miami... Miami, AZ. An old mining town that has definitely seen better days. There are lots of interesting old things to photograph. As soon as I develop my film and scan I will post some images.

After lunch we photographed some more and then headed back home. Along the way we stopped back in Superior to photograph the "wall" with the 11x14.

Taking the big boy out for the first time, with Rod Klukas (left) and Joe Trevino (right).

After setting up the image on the groundglass, inserting the film holder for the first time.

Making sure everything is tight. Click. Done. Now I just have to develop the 154 sq. in. piece of film!

Thanks to my good friend, the famous Larry Golsh for the photographs of this historic occasion.

Tuesday, July 22, 2008

ULF (Ultra Large Format)!


Ultra Large Format (ULF)...
definition: cameras which use film sizes larger than 8x10".

I have joined
the "big boys" club. My custom Arca Swiss/Canham 11x14" back just came in last week. This will allow me to simply switch backs on my Arca 8x10" camera and jump up to the next size. The camera itself is very light, not much more than the 8x10" back itself.





I plan on making 11x14" contact prints from the negatives I make with the camera. No need to enlarge these! I think the 11x14" size is optimum for contact prints.

I can't wait to start using this camera! I will post action shots and print scans once I have some to share.

Photos: Rod Klukas