Reminder: InFocus Benefit Saturday, August 1

Just a reminder that the InFocus benefit at 422 Gallery is tomorrow, Saturday, August 1 from 6:00-9:00 PM. The images for up for silent auction will be viewable from 12 Noon, in case you already have plans for the evening. Opening bids start at $100, except for the Kim/Edward Weston image, which starts at $500. Refreshments will be served. Call John Kitts of 422 Gallery at 602-670-1342 for more information.

License Plates and Signs, Hackberry, AZ, 2008 by Richard M. Coda


Spring, 1943, Negative by Edward Weston, Print by Kim Weston

InFocus Fundraiser Exhibit and Silent Auction - August 1, 6:00 PM

422 Gallery is hosting a fundraiser for IN FOCUS on
Saturday, August 1, from 6:00 to 9:00 p.m.

IN FOCUS is the dynamic new photography support group
of the Phoenix Art Museum.

The fundraiser will feature a silent auction of a dozen
fine photographs donated by some really great
photographers along with a framed Edward Weston
photograph printed by Kim Weston.

Preview and bidding are available anytime after noon.

The silent auction photographs are 4” x 5” to 8” x 10”
in size and bidding starts at $100.

Photographers donating prints to the auction:

• Judith Andersen
• Joyce Bealer
• Rich Coda
• Randy Efros
• Matt Hojnacki
• Linda Ingraham
• Don Kirby
• John Kitts
• Rod Klukas
• John Prouty
• Craig Smith
• Lonna Tucker
• Kim Weston
  

422 Gallery is located at 4115 North 44th Street, Phoenix.

Refreshments will be served.

Please call 602-670-1342 with any questions.

Uncle Floyd's New Jersey

For those of you not familiar with New Jersey, there was a phenomenon back in the 1970s and 1980s called "The Uncle Floyd Show". It was on PBS (for a while anyway), usually after school. To the innocent bystander it appeared to be a children's show, but to the aficionado it was pure adult comedy and satire. They covered topics from entertainment to politics. I watched it when I was in high school. I went to William Paterson my first year of college and some of the cast were continuing students there and you'd regularly see them at the school pub. When I went to Rutgers (in New Brunswick, New Jersey), no one had ever heard of Uncle Floyd. Until I met Charlie Belunis. He was the only one I ever met at RU who was clued in. We started a Rutgers Fan Club (because college students have nothing better to do). Uncle Floyd used to have a segment at the end of each show called "Pictures on the Wall". It was kind of like a refrigerator on TV, where he would post drawings sent in by children from all over NJ. One day, Charlie drew a great impersonation of a child's drawing and sent it in. Imagine our surprise when it was featured in the segment, signed Charles Belunis, age 18!

Anyway, I was thinking about my home state the other day and wondering if Uncle Floyd had done anything since the glory days. He is a great Vaudeville/Honkytonk piano player and he is always found playing at a club or restaurant somewhere deep in the heart of Jersey. I found this clip of a series that I had not heard of before, called "Uncle Floyd's New Jersey". I guess once you get a job after college your priorities change. I found it fascinating for I had no idea of the diversity in places like Paterson, and the relative peace within that diversity. Nothing like we have today. Ah, the good ol days.


Uncle Floyd's New Jersey-Main St., Paterson

There are several other episodes available on YouTube. Check them out.

Our Man on the Street...

We have decided to spare no expense to bring you coverage of fine-art events around the globe.

This summer we rented a house in Paris, France and sent our "Man on the Street", the famous Larry Golsh, there for six weeks to report on the Paris art scene. Upon his return we will put him up in a luxurious condo on the 22nd floor in San Diego until we bring him back here to Phoenix in October.

Here's Larry's take on the Warhol exhibit at the Grand Palais.

Just going to the Grand Palais in Paris is a great experience, the building is one of the most beautiful I have visited. The Warhol exhibit is spectacular. The paintings took on a new international look for me. For the first time I realized how important photography was to Warhol. My favorite works were the self portraits and the floating silver clouds.

And what trip to Paris would be complete without visiting the Louvre? Unfortunately the place was mobbed and we weren't able to get many photos as shown here.

During his four month stay in San Diego, Larry will be reporting back to us on the San Diego and Los Angeles art scenes.

Eleven:Fourteen

Mural, Superior, AZ, 2009, 11x14" silver gelatin contact print, Richard M. Coda

My first 11x14" contact print! The detail in this image is incredible and clearly cannot be appreciated in this web scan.

I really like working with this format. It's a little cumbersome when exposing the negative, but everything after that is standard operating procedure. I process the negatives one at a time (for now) in a Jobo 3062 drum with no insert, using one liter of chemistry per sheet. The negatives themselves are something to behold. I remember when Randy Efros showed us one of Brett Weston's 11x14 negatives... all I could think of was making my own. Last week I printed my next two 11x14" images. Once I dry-mount them I will photograph them and post them here.

I plan on selling my 11x14" contact prints as limited editions of 14 with 3 artist's proofs. Pricing will start at $400 ($200 below my regular price for 11x14" enlargements) for the first four prints. Prints 5-10 will be $500 and the last five prints will be $750. Buying early in the edition is encouraged.

These images may also end up in portfolios of 11x14" contact prints at a later date, but they will be denoted as such.

A visitor! Hoo could it be?

After dinner Sunday night I looked out the back window and couldn't believe it. There was a Great Horned Owl sitting on our fence. As I'm sure you all know, owls are usually noctural, so it's rare to see them at this hour of the day, especially in a populated area.

Anyway, I took about 60 or so shots with the D300 and a 300mm lens.

UPDATE: Tonight after dinner I heard an owl "hoot". I look out my office window and there it is just setting down on our back fence again. As soon as I saw it, it flew away. Then I go into the kitchen and see another one, much larger, sitting in our pool on the first "step". I open the back door to get a better view and I see the other one fly off our roof. We must have a mating pair who like our house. I hope so... they can take care of the field mice and chipmunks who leave their business all over the place out here.

New photo, July 14...

Lindsay's debut exhibit at SuVino

Lindsay and I had our artist's reception at the Su Vino Winery show last Thursday. The owners were very pleased with the show, especially Lindsay's work. I gave her the prime wall spots at the end of the bar. A lot of people showed up, but as it was about 110 degrees outside and it was also the 20th Anniversary of the Summer Artwalks in Scottsdale, most of them were looking for free door prizes. Many members from Imageworks showed up and we thank them for their support.

Lindsay's paintings in the prime location.

My friend, Juan Garcia, also an accomplished painter, talking about painting with Lindsay.


Lindsay and her artwork.

Lindsay and me. (Thanks to John Prouty for this one.)

The show is up until August 4th. If you are in the area, please stop by and let us know what you think. As it will be hot for a while, why not order a flight of wine while you're there! Su Vino is located at 7035 E. Main Street, Suite 110,Scottsdale, AZ 85251 (480) 994-VINO(8466).